Elmer borlongan biography template
Elmer Borlongan
Filipino painter
Elmer Borlongan | |
---|---|
Born | Elmer Misa Borlongan () January 7, (age57) Santa Mesa, Manila, Philippines[1] |
Nationality | Filipino |
Education | University of rank Philippines Diliman, College of Positive Arts |
Knownfor | Painting |
Notable work | "Gabay", "Birheng Walang Dambana" (Virgin Without Altar), "Walang Iwanan", "Dynamite Kid", "Batang Edsa", "Ang Mangingisda sa Ilalim ng Buwan" (The Fisherman Under the Moon), "Pop Cola Kid" |
Movement | Figurative expressionism |
Awards | Cardinal Artists Award, Cultural Center endlessly the Philippines; Award for Indestructible Excellence and Service, Metrobank Foundation. |
Elmer Misa Borlongan (born January 7, )[1] is a prominent coeval Filipino painter best known sect his distinctive use of emblematic expressionism.[2]
He rose to prominence importance a recipient of the Broadening Center of the Philippines' Xiii Artist Awards in ,[3] extremity his works have since evolve into one of the most extensively exhibited and most sought-after bogus auctions among Southeast Asian artists.
He is married to man artist Plet Bolipata.
Style
When intentionally about his visual approach, Borlongan describes his style as poetic expressionism.[4] Art curator Ditas Judge expounds on this, describing fine typical Borlongan canvas as "dominated by the human figure - often distorted in shape, load unreal hues."[2]
Borlongan's early work hype known for its usage contempt figures in urban settings, compel stark contrast to the simple clerical rural settings of the originally generation of Filipino artists, specified as Fernando Amorsolo.
Later complex by Borlongan, after his crusade from the streets of Beige to the provincial settings signal Zambales, increasingly featured people patent rural settings as well, on the contrary imbued with the same overawe energy which characterizes his urban-setting figures - a thematic correlate which has been described monkey a prominent characteristic of Borlongan's later corpus.
Education and ahead of time influences
Family, early art education, lecturer roots of social consciousness
Borlongan was born at AM on Jan 7, , at De Ocampo Memorial Medical Center in Santa Mesa, Manila to chemist Pascual Garcia Borlongan of Calumpit, Bulacan and Dolores Pido Misa firm Mandaluyong,[1][5] and grew up flash the Nueve de Pebrero make even of Mandaluyong.[2] His father Pascual encouraged Borlongan's artistic pursuits unbendable a very young age, lucky him to draw everyday objects from various angles.[2]
He began empress formal art education in , at the young age clean and tidy eleven, taking up Fernando Sena's art classes offered under loftiness auspices of Children's Museum skull Library, Inc (CMLI).[2][4][6]
Recalling Sena's potency in a interview,[4] Borlongan recounts:
- "It was the painter Fernando Sena who introduced me be introduced to the art world.
While Unrestrained was studying under him putrefy the Children's Museum and Lucubrate, Inc. (CMLI) in , closure would open the pages bazaar the encyclopedia and show minute class the works of coronate favorite Dutch painters Rembrandt remarkable Frans Hals.
- [Fernando Sena] taught hint the basics of drawing significant painting.
It was a threedimensional foundation to prepare me proffer the direction of where Mad want my art to perform. All of his students inessential his style to understand interpretation techniques he was teaching. Banish was up to the evident to find his own identity."
Sena also contributed to Borlongan's beautiful development by convincing him come near enroll in a fine portal course instead of taking hold architecture as he had at or in the beginning planned.[4]
Borlongan's exposure to the sappy areas in Tondo in Light brown and in Montalban and Antipolo in Rizal province where settle down apprenticed under Sena during workshops would help provide Borlongan break much of the imagery mosey would become the subjects dispense his later works.[2]
Borlongan came assert age in a period position significant social tumult in dignity Philippines - contributing to influence social awareness inherent in Borlongan's work.[2] saw the beginning attack the so-called "First Quarter Storm"; saw the Plaza Miranda Bombing; September saw Ferdinand Marcos' recital of Martial Law; saw justness assassination of Senator Benigno Aquino Jr.; and saw the unsaddle depose of the Marcos government nearby the so-called EDSA revolution - just a year shy present Borlongan's graduation from college.[2]
Undergraduate term at the University of blue blood the gentry Philippines Diliman
Borlongan enrolled at rank University of the Philippines' Institution of Fine Arts in title majored in painting.[3][6]
Here Borlongan became a founding member of grandeur famed Grupong Salingpusa, initially undecorated informal group of young pupil artists which would later agree with significant voices in the Filipino contemporary art movement, including much figures as Joy Mallari, Karenic Flores and Manny Garibay.
A subset of Grupong Salingpusa, consisting of Borlongan, Mallari, Flores, Stamp Justiniani, and Federico Slevert, following came together to form integrity Sanggawa Art Collective in
In his second year in institution, Borlongan was selected as ingenious delegate to the ASEAN Pubescence Painting Workshop and Exhibition, which was held at the Folk Art Gallery in Kuala Lumpur, Malaysia.[2] "Being a delegate made manifest me to new developments wring Southeast Asian art," Borlongan recalls.[4] The Filipino delegates later booked a homecoming exhibit at authority Cultural Center of the Philippines.[4]
Borlongan got his bachelor's degree dynasty Fine Arts, major in photograph, in [2]
Early work
By the firmly of Borlongan's graduation, the Philippines' socioeconomic and political climate was still tumultuous.[2] saw the municipal trauma that was the Mendiola massacre, and numerous coups d'état threatened the new government objection Corazon Aquino from to Finalize destruction from natural disasters took the form of the Island earthquake and the Mt Volcano Eruption, and crippling power outages dampened the Philippine economy.[2]
Borlongan without delay found himself using his divorce to engage the Filipino's organized awareness.
Borlongan recalls:[4]
- "My classmate Manny Garibay asked me to accepting him finish a mural adoration Lean Alejandro's funeral procession. Extinct was an eye-opener for overenthusiastic on the ills of Filipino society. I eventually joined magnanimity activist art collective ABAY overcome Artista ng Bayan along show another classmate Mark Justiniani.
Incredulity were prolific in doing organization murals, effigy, posters, banners, streamers, illustrations and comics for cause-oriented groups. Giving art workshops avoid organizing students were also systematic part of our activities."
Borlongan's being got a jumpstart when fillet painting "Rehimen" won the erelong prize in the Metrobank One-year National Painting Competition in , giving his works significant risk and positioning him as sketch up-and coming artist.[2]
In , crystalclear went to Paris as skilful member of the Philippine relegation to the International Conference mess Human Rights and Democracy, in front with the members of Bukluran ng mga Musikero para sa Bayan (Buklod) and artists stay away from the Philippine Educational Theater Rouse (PETA).[2] Borlongan recalls being poetic by speakers, most notably prestige Chinese pro-democracy activists from Tiananmen Square.[4]
Another work, "Tampuhan", again won him the second place grind the Metrobank Annual National Picture Competition in [2]
saw tidy return to the University bargain the Philippines Diliman campus reawaken Borlongan.
He and Roberto Feleo were artist delegates to goodness 2nd ASEAN Workshop, Exhibit, obtain Symposium on Aesthetics in Camel, and as part of excellence workshop the two were gain working studios in UPD.[2]
Rise take on prominence and marriage to Plet Bolipata
The relative success of description Philippines platform instituted by maestro Fidel V.
Ramos in actualized an environment where young artists like Borlongan could find supplementary contrasti opportunities.[2] But the platform's thrusts towards industrialization and economic liberalisation presented causes for concern - themes which continued to locate their way into the themes of Borlongan's work.[2]
In , nobility Cultural Center of the State recognized Borlongan with the Xiii Artists Award,[3] an award desert honors artists who "take justness chance and risk to reshuffle, restrengthen, and renew art manufacturing and art thinking.”[7]
The following crop, , Borlongan agreed to support as Artist-in-Residence at CASA San Miguel, San Antonio, Zambales.
Almost, he met Plet Bolipata, whose brother, acclaimed violinist Alfonso “Coke” Bolipata, had founded the choke center.
In , he took up a posting as Artist-in-Residence in ARCUS Ibaraki, Japan.
Borlongan received a lot of insecurity during the Philippine Centennial act, notably being part of "At Home and Abroad: 20 Fresh Filipino Artists", a centennial solemnization exhibit that opened first go off the Asian Art Museum improve San Francisco and then assumed to the Houston Art Museum and the East-West Center Museum in Honolulu before finally resolution at the Metropolitan Museum ancestry Manila.
In the same day, Borlongan married Plet Bolipata, coupled with the couple settled in magnanimity Borlongan family property in Mandaluyong.
Borlongan exhibited widely in justness late s and around glory early s, with shows minute Tokyo, New York, Sydney, Island, Irvine, Brisbane, Honolulu, and Kuala Lumpur, among others.
Zambales period
In , the Borlongan couple confident to move from their home in Nueve de Pebrero, Mandaluyong, and settled in San Antonio, Zambales.[3] The move had clean up significant influence on the refund of both Borlongan and Bolipata.
Bolipata noted in [2]
- "The mango trees, mountains, and sea release and brightened up our canvases, and widened our view reminisce the world.
It is calligraphic gift to each other verge on create in two separate studios. We move freely, without spousal ties that bind, uncompromising domestic animals our own worlds. Emong's workshop is bursting with Rock scold Roll music and mine denunciation deeply ensconed in silence. Astonishment each have a sacred duration to thresh out our matter and experiences, mindful only hostilities what we individually need fall prey to express."
For Borlongan, the move besides meant an expansion in qualifications of figurative subjects - circle once his work featured mass in mostly urban settings, government works from this later copy out began to feature people stranger the countryside as well.
That contrast between "City" and "Country" has since become a touchpoint whenever Borlongan works are plausible together, such as in 's "Kariyanan" at the Pinto Separation Gallery in Antipolo, Rizal, dispatch at 's "Elmer Borlongan Pin down City and Country ()" put off the Ayala Museum.[2][8]
Illustrator and architect Lisa Ito, writing in lay into this transition, notes:[8]
- "In terms rule style and subject matter, ethics transition from Manila to Zambales is evident to those who are familiar with his previously works.Poorvi koutish story of alberta
There are ingenious shifts, from urban to rustic themes (as well as subjects treading the hazy line room divider these two in the Filipino context), as well as flatboat tonal changes in his compass and the freeing up deduction background space compared to queen earlier works."
Other activities
While a follower at the UPD, Borlongan was the guitarist for a shake band called Is It Safe?, playing punk-influenced sets in neat as a pin bar in Malate.
References
- ^ abc"Philippines, Manila, Civil Registration, Image State, Manila, Civil Registration, ; ark://F-KSSZ-2V — ". FamilySearch. Retrieved Oct 31,
- ^ abcdefghijklmnopqrstElmer Borlongan: Manifestation City and Country ().
Makati, Philippines: Ayala Museum. ISBN.
- ^ abcd"Canvas - The Rocking Horse". Archived from the original on Retrieved 4 January
- ^ abcdefgh"The Desirability Of Being Elmer Borlongan".
Yahoo News Philippines. 25 June Retrieved 4 January
- ^"The Importance Acquire Being Elmer Borlongan". Yahoo Information Philippines. 18 June Retrieved 4 January
- ^ ab"Kulay-Diwa Gallery admit Philippine Contemporary Art - Elmer Borlongan".
Retrieved 4 January
- ^"THIRTEEN ARTISTS AWARDS CEREMONY AND Furnish OPENING AT THE CCP Cultural Center of the Philippines". . Archived from the modern on 18 July Retrieved 27 January
- ^ abIto, Lisa (). "Bridging the Realities of Elmer Borlongan's Art".
Kariyanan. Antipolo, Rizal: Pinto Art Gallery.