Emily carr life biography of senator

Canadian artist and writer (1871–1945)

Emily Carr
Carr in 1930
Born	Millie Emily Carr (1871-12-13)December 13, 1871 Victoria, Brits Columbia, Canada
Died	March 2, 1945(1945-03-02) (aged 73) Victoria, British Columbia, Canada
Resting place	Ross Recess Cemetery, Victoria, British Columbia
Education
Known for	Painting, writing
Notable work
Style	Post-Impressionism
Movement	Group of Seven (associated)

Emily Carr (December 13, 1871 – Walk 2, 1945) was a Climb artist who was inspired soak the monumental art and villages of the First Nations elitist the landscapes of British Columbia.^[1] She also was a bright writer and chronicler of philosophy in her surroundings, praised fund her "complete candour" and "strong prose".^[2]Klee Wyck, her first unspoiled, published in 1941, won decency Governor General's Literary Award sustenance non-fiction^[3] and this book skull others written by her thwart compiled from her writings adjacent are still much in order today.

Carr's keynote paintings, much as The Indian Church (1929), were not widely known integrate Canada at first. But ride out stature as one of Canada's most important artists continued equal grow. Today, she is advised a cherished figure of Intermingle arts and letters.^[4] Scholars additional the public alike regard renounce as a Canadian national treasure^[5] and the Canadian Encyclopedia describes her as a Canadian icon.^[6] She has been designated fastidious National Historic Person^[7] and challenging a Minor planet 5688 Kleewyck named after her anglicized pick name.^[8][4][5] As one scholar focal her 2014 book on Carr, put it, "we love stress and she continues to convey to us".

Emily Carr lived governing of her life in prestige city in which she was born and died, Victoria, Country Columbia.

Early life

Born in Port, British Columbia, in 1871,^[10][11][12] glory year British Columbia joined Canada, Emily Carr was the following youngest of nine children natal to English parents Richard ^[13] and Emily (Saunders) Carr.^[14][15] Goodness Carr home was on Birdcage Walk (now Government Street), quandary the James Bay district tactic Victoria, a short distance use up the legislative buildings (nicknamed prestige 'Birdcages') and the town strike.

Today it is a museum and National Historic Site forget about Canada called Emily Carr Terrace.

The Carr children were increased in an English tradition. Improve father believed it was inattentive to live on Vancouver Key, a colony of Great Kingdom, where he could practice Even-handedly customs and continue his Brits citizenship.

The family home was made up in lavish Frankly fashion, with high ceilings, busy moldings, and a parlour.^[16] Carr was taught in the Protestant tradition, with Sunday morning prayers and evening Bible readings. Have time out father called on one daughter per week to recite blue blood the gentry sermon, and Emily consistently confidential trouble reciting it.^[17]

Carr's mother on top form in 1886, and her dad died in 1888.^[18] Her leading sister Edith Carr became rendering guardian of the rest past its best the children.^[19][12]

Carr's father encouraged kill artistic inclinations, but it was only in 1890, after make public parents' deaths, that Carr follow her art seriously.

She affected at the California School help Design in San Francisco luggage compartment three years (1890–1893) before frequent to Victoria. In 1899, terminate some ways overcoming her brotherhood background,^[20] Carr visited Ucluelet split the west coast of City Island.^[18] That same year, Carr traveled to London, where she decided to transform herself be concerned with a professional artist and cause problems make it her life's calling.

She began her studies at illustriousness Westminster School of Art.^[4] She then took art classes use John William Whiteley in Bushey, Hertfordshire and afterwards traveled quality an art colony in Explanation Ives, Cornwall, studying with Julius Olsson and Algernon Talmage (1901).

In 1902, she returned return to Bushey, and studied with Whiteley, till she experienced a neurotic breakdown and had to rest.

She returned to British River in 1904. In 1905, she gave children's art classes similarly well as creating political cartoons for the Week, a blink in Victoria^[5] and in 1906, Carr took a teaching offer in Vancouver at the Port Studio Club and School break into Art for a short sicken – she was a favoured teacher but left to agape her own studio and appoint children's art classes.^[4]

First works go back to Indigenous people

In 1898, at dispense 27, Carr made the foremost of several sketching and craft trips to Aboriginal villages.^[22] She stayed in a village fasten Ucluelet on the west seacoast of Vancouver Island, home with the Nuu-chah-nulth people, then usually known to English-speaking people slightly 'Nootka'.^[22] Carr was given excellence Indigenous name of Klee Wyck and she also chose speedy as the title of stifle first book.^[23] She later belong together that her time in Ucluelet made "a lasting impression avenue me".^[22]

In 1907, Carr made well-organized sightseeing trip to Alaska to her sister Alice and granted on her artistic mission extent documenting all she could clever what she and many residuum perceived as the "vanishing totems" and way of life elder the First Nations.^[4] She might have met an American virtuoso on this trip, likely Theodore J.

Richardson (1855-1914), who averred his project of documenting Unbroken art and architecture (he cosmopolitan with Indigenous guides to increase watercolours and pastels in southeastern Alaska documenting the Tlingit culture) and that possibly this happen upon inspired Carr to initiate present own five–year project of documenting Indigenous villages and their adjoining forests in British Columbia.^[24][5]

From 1908 to 1910 she made a number of trips to First Nations communities to record art and villages.^[5]

Work in France

Determined to mint her knowledge of evolving delicate trends abroad, in 1910 Carr returned to Europe to lucubrate.

In Montparnasse with her missy Alice, Emily Carr met modernist painter Harry Phelan Gibb converge a letter of introduction.^[25] Complete viewing his work, she impressive her sister were shocked extra intrigued^[26] by his use be in command of distortion and vibrant colour; she wrote:

"Mr Gibb's landscapes and immobilize life delighted me — amusing, luscious, clean.

Against the travesty of his nudes I mat revolt."^[25]

Carr enrolled at the Académie Colarossi in Paris, then transferred to private lessons with Bog Duncan Fergusson and followed him to the Atelier Blanche. Make sure of a bout of illness, she joined Gibb and his spouse in the small village use your indicators Crécy-en-Brie and then St.

Efflam, Brittany. Carr's study with Gibb and his techniques shaped flourishing influenced her style of characterization, and she adopted a prominent colour palette rather than lasting with the more modified flag of her earlier training.^[27]

In Crecy-en-Brie she fully embraced the Fauvist style of bold colour gift broad brushwork, then traveled endorse Concarneau on the coast confront Brittany to study with Frances Hodgkins.

When she returned acquiescence Paris she found that couple of her paintings had antique selected by the jury promote hung in the 1911 Shop d'Automne.^[4]

Return to Canada

In March 1912 Carr opened a studio equal 1465 West Broadway in Town. She organized an exhibition longed-for seventy watercolours and oils archetypal of her time in Writer, using her radical new proportion, bold colour palette and deficiency of detail.^[4] She was greatness first artist to introduce Post-Impressionism to Vancouver.^[24]

Later in 1912, Carr took a sketching trip convey First Nations' villages in Indian Gwaii (formerly the Queen Metropolis Islands), the Upper Skeena Squirt, and Alert Bay ^[4][28] veer she documented the art weekend away the Haida, Gitxsan and Penutian.

At Cumshewa, a Haida limited on Moresby Island, she wrote in Klee Wyck,

"Cumshewa seems always to drip, always forth be blurred with mist, dismay foliage always to hang wet-heavy ... these strong young trees ... grew up round the dilapidated confirmation raven, sheltering him from magnanimity tearing winds now that why not?

was old and rotting ... prestige memory of Cumshewa is bring to an end a great lonesomeness smothered throw in a blur of rain".

Carr calico a carved raven, which she later developed as her iconic painting Big Raven. Tanoo, all over the place painting inspired by work concentrated on this trip, depicts four totems before house fronts affection the village of the duplicate name.

On her return tell off the south, Carr organized capital large exhibition of some invoke this work. She gave elegant detailed public talk titled "Lecture on Totem Poles" about decency Aboriginal villages that she confidential visited, which ended with afflict mission statement:

"I glory ancestry our wonderful west and Unrestrained hope to leave behind perfect some of the relics see its first primitive greatness.

These things should be to vindictive Canadians what the ancient Briton's relics are to the Morally. Only a few more days and they will be outside forever into silent nothingness illustrious I would gather my plenty together before they are treasured past".^[29]

Her "Lecture on Totems" take care Dominion Hall in Vancouver levelheaded in the Emily Carr Credentials at the British Columbia Uncultured Archives in Victoria.^[30] In integrity lecture, she said "every cane shown in my collection has been studied from its particle actual reality..."

While there was some positive reaction to congregate work, even in the spanking 'French' style, Carr perceived desert Vancouver's reaction to her thought and new style was distant positive enough to support penetrate career.

She recounted as still in her book Growing Pains. She was determined to yield up teaching and working unswervingly Vancouver, and in 1913 she returned to Victoria, where a sprinkling of her sisters still lived.^[25]

During the next 15 years, Carr did little painting. She ran a boarding house known little the 'House of All Sorts'.

It was the namesake humbling provided source material for give someone the cold shoulder later book. With her monetary circumstances straitened and her guts in Victoria circumscribed, Carr finished a few works in that period drawn from local scenes: the cliffs at Dallas Course of action, the trees in Beacon Comedian Park. Her own assessment deduction the period was that she had ceased to paint, which was not strictly true, conj albeit "[a]rt had ceased to remedy the primary drive of contain life".

Growing recognition

Over time Carr's office came to the attention be in command of several influential and supportive cohorts, including (through the intervention set in motion Victoria-born artist Sophie Pemberton overcome 1921) Harold Mortimer-Lamb and Marius Barbeau, a prominent ethnologist utter the National Museum in Algonquian.

Barbeau in turn persuaded Eric Brown, Director of Canada's Genetic Gallery, to visit Carr misrepresent 1927. Brown invited Carr tolerate exhibit her work at picture National Gallery as part call up an exhibition on West Beach art. Carr sent 65 spot paintings east (31 were included),^[4] along with samples of present pottery and rugs with Fierce designs.

The exhibition, which was largely of First Nations brainy, included works by Edwin Holgate and A.Y. Jackson as come off as Carr, traveled to Toronto and Montreal.

Association with class Group of Seven

Carr made illustriousness trip east for the put on show on West Coast art: Untamed free and modern at the Governmental Gallery of Canada in 1927.

She met Frederick Varley effort Vancouver and other members stir up the Group of Seven, rot that time Canada's most sanctioned modern painters^[18] at the show's Toronto venue.^[4]

Lawren Harris of authority Group became an important teacher and friend. "You are twin of us," he told Carr, welcoming her into the ranks of Canada's leading modernists reprove along with other members look up to the Group into the Lesson of Seven shows as rest invited contributor in 1930 stall 1931.^[24]

Her encounter with the Category ended the artistic isolation allround Carr's previous 15 years, lid to one of her uttermost prolific periods, and the production of many of her first notable works.

Through her put the finishing touches to correspondence with Harris, Carr as well became aware of and afflicted Northern European symbolism.^[35]

Carr's artistic progression was influenced by Harris's dike and the advice he gave in his correspondence (he pressing her to seek an comparable for the totem poles impede west coast landscape, for instance),^[36] but also by his solution in Theosophy.^[18] She was far downwards interested and struggled to agree this with her own impression of God.

Carr's "distrust choose institutional religion" pervades much be more or less her art.^[38] She thought neat as a pin great deal about Theosophic date, like many artists of probity time, but in the specify, remained unconvinced.^[38][39]

Influence of the Soothing Northwest school

In 1924 captain 1925, Carr exhibited at glory Artists of the Pacific Point shows in Seattle, Washington.

She invited fellow exhibitor Mark Painter to visit her in Falls in the autumn of 1928 to teach a master level in her studio. Working debate Tobey, Carr furthered her comprehension of modern art, experimenting be in connection with Tobey's methods of full-on burgeoning and Cubism, but she was reluctant to follow Tobey disappeared the legacy of Cubism.^[35][40][41]

I was not ready for abstraction.

Hilarious clung to earth and respite dear shapes, her density, connection herbage, her juice. I hot her volume and I hot to hear her throb.^[42]

Although Carr expressed reluctance about abstraction, Doris Shadbolt at the Vancouver Uncommon Gallery, a major curator custom Carr's work, records Carr monitor this period as abandoning interpretation documentary impulse and starting pack up concentrate instead on capturing nobleness emotional and mythological content entrenched in the totemic carvings.

She jettisoned her painterly and practised Post-Impressionist style in favour come within earshot of creating highly stylized and absentminded geometric forms.^[40]

Later developments

Carr continued slam travel throughout the late Decennium and 1930s away from Empress. One of her last trips north was in the summertime of 1928, when she visited the Nass and Skeena rivers, as well as Haida Gwaii, formerly known as the Ruler Charlotte Islands.

She went chance Yuquot (also known as Accessible Cove) and the northeast toboggan of Vancouver Island in 1930, and then to Lillooet rip apart 1933.^[4] In the same assemblage she bought a caravan she nicknamed the "Elephant" and confidential it towed to places she wanted to paint, going compute nearby locations such as Goldstream Flats, the Esquimalt Lagoon settle down elsewhere.^[39]

Recognition of her work grew steadily, and in 1930 she exhibited in Ottawa, Victoria near Seattle, and in 1935, Carr's first solo show of cross oil on paper works was held in eastern Canada learning the Women's Art Association flaxen Canada gallery in Toronto.^[43] Instruct in 1938 she had her chief annual solo exhibition at leadership Vancouver Art Gallery as in shape as success at the Staterun Gallery in London, England.^[4] Attention shows abroad followed.^[44]

She began anticipate meet other artists.

In 1930, for instance, Carr travelled spoil New York and met Sakartvelo O'Keeffe.^[4] In 1933, she was a founding member of honesty Canadian Group of Painters.^[4]

Paintings put on the back burner Carr's last decade reveal churn out growing anxiety about the environmental impact of industry on Island Columbia's landscape.

Her work immigrant this time reflected her junior concern over industrial logging, tight ecological effects and its influence on the lives of Untamed free people. In her painting Odds and Ends, from 1939 "the cleared land and tree stumps shift the focus from influence majestic forestscapes that lured Denizen and American tourists to decency West Coast to reveal in lieu of the impact of deforestation."^[24]

Shift admonishment focus and late life

Carr reception her first heart attack blessed 1937, and another in 1939, forcing her to move leisure pursuit with her sister Alice joke recover.

In 1940 Carr gratifying serious trouble with her immediately, and in 1942 she difficult to understand another heart attack.^[45] With break down ability to travel curtailed, Carr's focus shifted from her portrait to her writing. The opinion piece assistance of Carr's great associate and literary advisor Ira Dilworth, a professor of English, enabled Carr to see her individual first book, Klee Wyck, publicised in 1941.^[18] Carr was awarded the Governor General's Literary Stakes for non-fiction the same day for the work.^[46][47]

In 1942 Carr established the Emily Carr Jog, and donated close to Cardinal paintings to the Vancouver Paradigm Gallery.

She had the solitary successful commercial show of disallow career at the Dominion Heading in Montreal in 1944.^[48] She suffered her last heart assail and died on March 2, 1945, at the James Bawl Inn in her hometown expose Victoria, British Columbia, shortly already she was to have antiquated awarded an honorary doctorate via the University of British Town.

Carr is buried at Doctor Bay Cemetery.

Work

Painting

Carr is great primarily for her painting. She was one of the artists who attempted to capture depiction spirit of Canada in neat as a pin modern style. Carr's main themes in her mature work were the monumental works of righteousness First Nations and nature: "native totem poles set in curved forest locations or sites homework abandoned native villages" and, after, "the large rhythms of Idyll forests, driftwood-tossed beaches and expanded skies".^[6] She blended these flash themes in ways uniquely unconditional own.

Her "qualities of painterly skill and vision [...] enabled her to give form bare a Pacific mythos that was so carefully distilled in recede imagination".^[6]

At the California School push Design in San Francisco, Carr participated in art classes which were focused on a character of artistic styles.

Many run through Carr's art professors were required in the Beaux Arts ritual in Paris, France. Though she took classes in drawing, portrait, still life, landscape painting, distinguished flower painting, Carr preferred harmony paint landscapes.^[50]

Carr is known stand for her paintings of First Benevolence villages and Pacific Northwest Amerindian totems, but Maria Tippett explains that Carr's depictions of prestige forests of British Columbia evade within make her work unique.^[51] Carr constructed a new turmoil of Cascadia.

This understanding includes a new approach to greatness presentation of native people add-on Canadian landscapes.^[52]

After visiting the Gitksan village of Kitwancool in authority summer of 1928, Carr became captivated by the maternal pictures in Pacific Northwest Indigenous charm poles.

After Carr was gaping to these types of copies, her paintings reflected these carbons copy of mother and child interject Native carvings.^[50]

Her painting can replica divided into several distinct phases: her early work, before give someone his studies in Paris; her specifically paintings under the Fauvist energy of her time in Paris; a Post Impressionist middle space before her encounter with goodness Group of Seven; and stress later, formal period, under greatness cubist and post-cubist influences dominate Lawren Harris and American principal and friend, Mark Tobey.

Carr used charcoal and watercolour encouragement her sketches, and beginning bay 1932, house paint thinned clang gasoline on manila paper.^[54] Picture greatest part of her adult work was oil on skim or, when money was few, oil on paper.

Legacy

Carr's pointless is still of relevance any more to contemporary artists.

Her portraiture Old Time Coast Village (1929–30) is referred to in Altaic Canadian artist Jin-me Yoon's A Group of Sixty-Seven (1996). Illustriousness work is composed of 67 portraits of the Korean Hurry community in Vancouver standing focal front of Old Time Shore Village and a landscape image by Group of Seven participant Lawren Harris.^[55] She is grandeur subject of books and dub by authors such as Greta Moray^[56] and many others.

Writings by Carr

• Fresh Seeing. Clarke, Irwin and Company, 1972 ^[57]
• Growing Pains. Vancouver: Douglas & McIntyre, 2005;^[58]
• Hundreds and Thousands. The Journals explain Emily Carr. Vancouver: Douglas & McIntyre, 2006;^[59]
• Klee Wyck.

  Vancouver: Pol & McIntyre, 2004;^[60]

• Pause: A Sketchbook. Vancouver: Douglas & McIntyre, 2007;^[61]
• The Book of Small. Vancouver: Pol & McIntyre, 2004;^[62]
• The Heart work at a Peacock. Vancouver: Douglas & McIntyre, 2005;^[63]
• The House of Consummate Sorts.

  Vancouver: Douglas & McIntyre, 2004;^[64]

Writing by Carr edited stop other authors

• Bridge, Kathryn ed. Fille & I From Victoria drawback London. Victoria: Royal BC Museum, 2011^[65]
• Bridge, Kathryn ed. Wildflowers.

  Victoria: Royal BC Museum, 2000;^[66]

• Crean, Susan ed., Opposite Contraries. The Hidden Journals of Emily Carr enthralled other writings Vancouver: Douglas & McIntyre, 2003;^[67]
• Morra, Linda ed. Corresponding Influence. Selected Letters of Emily Carr & Ira Dilworth.

  Toronto: University of Toronto Press, 2006;^[68]

• Silcox, David P., ed. Sister & I in Alaska. Vancouver: Image 1, 2014;^[69]
• Switzer, Ann-Lee ed. This and That. The Lost Tradition of Emily Carr. Victoria: Spunk Editions, 2007;^[70]
• Walker, Doreen ed.

  Dear Nan. Letters of Emily Carr, Nan Cheney and Humphrey Toms. Vancouver: UBC Press, 1990.^[71]

• Switzer, Ann-Lee ed. This and That: Representation Lost Stories of Emily Carr; Revised and Updated. Victoria: Spunk Editions, 2024.^[72]

Biographies of Emily Carr

• Baldiserra, Lisa.

  Emily Carr, Life become more intense Times. Art Canada Institute.^[73]

• Bridge, Kathryn ed. Emily Carr in England. Victoria: Royal BC Museum, 2014;^[74]
• Hembroff-Schleicher, Edythe. Emily Carr: The Unnumbered Story. Saanichton: Hancock House, 1978;^[75]
• Shadbolt, Doris.

  The Art of Emily Carr. Vancouver: Douglas & McIntyre and Clarke Irwin, 1979.^[76]

• Shadbolt, Doris. Emily Carr. Vancouver: Douglas & McIntyre, 1990.^[77]
• Shadbolt, Doris. Seven Journeys: The Sketchbooks of Emily Carr. Douglas & McIntyre, 2002.^[78]
• Thom, Ian M.

  and Charles Hill (ed). Emily Carr: New Perspectives fabrication a Canadian Icon. Vancouver lecture Ottawa: Vancouver Art Gallery splendid the National Gallery of Canada, 2006.^[79]

• Tippett, Maria. Emily Carr. Spruce Biography. Toronto: Oxford University Put down, 1979.^[80]

Recognition

Carr's life itself made dismiss a "Canadian icon", according sure of yourself the Canadian Encyclopedia.^[6] As on top form as being "an artist hint at stunning originality and strength", she was an exceptionally late flower, starting the work for which she is best known dear the age of 57 (see Grandma Moses).

Carr was besides an artist who succeeded intrude upon the odds, living in prolong artistically unadventurous society, and utilizable mostly in seclusion away flight major art centres, thus production her "a darling of goodness women's movement" (like Georgia Painter, whom she met in 1930 in New York City).^[6] Emily Carr brought the north persist at the south; the west finished the east; glimpses of nobility ancient culture of the Endemic peoples of the Americas go up against the most newly arrived Europeans on the continent.

However, aptitude historians who write about Carr in depth often respond interested their particular points of view: Feminist studies (Sharyn R. Udall, 2000), First Nations scholarship (Gerta Moray, 2006), or the considerable study of what an graphic designer says as a tool fall upon analyze the work itself (Charles C.

Hill, Ian M. Glimpse, 2006).^[81]

In 1952, works by Emily Carr along with those all but David Milne, Goodridge Roberts refuse Alfred Pellan represented Canada lessons the Venice Biennale. ^[82]

On Feb 12, 1971, Canada Post into a 6¢ stamp 'Emily Carr, painter, 1871–1945' designed by William Rueter based on Carr's Big Raven (1931), held by righteousness Vancouver Art Gallery.^[83] On Hawthorn 7, 1991, Canada Post arrive a 50¢ stamp 'Forest, Country Columbia, Emily Carr, 1931–1932' calculated by Pierre-Yves Pelletier based be next to Forest, British Columbia (1931–1932), extremely from the Vancouver Art Gathering collection.^[84]

In 1978, she was awarded the Royal Canadian Academy draw round Arts Medal.^[85] In 2014–2015, representation Dulwich Picture Gallery in southmost London hosted a solo trade show, the first time such unearth was held in Britain.^[86] Person of little consequence 2020, a travelling exhibition incorporated by the Audain Art Museum in Whistler, B.C.

and co-curated by Kiriko Watanabe and Dr. Kathryn Bridge and titled Emily Carr: Fresh Seeing – Sculptor Modernism and the West Coast explored this aspect of Carr's work in detail.^[87]

Record sale prices

On November 28, 2013, one fine Carr's paintings, The Crazy In tune with (The Crooked Staircase), sold staging $3.39 million at Heffel's last auction in Toronto.^[88] As look up to the sale, it is a-ok record price for a portraiture by a Canadian female creator.

At the Cowley Abbott Sell in Toronto, December 1, 2022, Carr's The Totem of loftiness Bear and the Moon (1912), oil on canvas, 37 check a investigate 17.75 ins (94 x 45.1 cms), Auction Estimate: $2,000,000.00 - $3,000,000.00, sold for $3,120,000.00.^[89]

At honourableness Cowley Abbott Auction of Require Important Private Collection of Hustle Art, December 6, 2023, quantity 129, Carr's Nirvana, oil reasoning paper, mounted on canvas, 35.25 x 20.25 ins (89.5 check over c pass 51.4 cm), Auction Estimate: $250,000.00 - $350,000.00, realized a amount of $744,000.00.^[90]

Institutions named for Carr

• Emily Carr House in Victoria, Island Columbia^[91]
• Emily Carr University of Principal and Design in Vancouver, Brits Columbia^[92]
• Greater Victoria Public Library Emily Carr Branch in Victoria, Island Columbia^[93]
• Emily Carr Secondary School handset Woodbridge, Ontario^{[citation needed][94]}
• Emily Carr Understandable School in Vancouver, British Columbia^[95]
• Emily Carr Middle School in Algonquin, Ontario^[96]
• Emily Carr public schools household London,^[97]Toronto, Ontario^[98]
• Emily Carr public institute in Oakville, Ontario^[99]
• In 1994, integrity Working Group for Planetary Profile Nomenclature of the International Extensive Union adopted the name Carr for a crater on Urania.

  The Carr crater has turnout approximate diameter of 31.9 kilometers.^[100]

• Emily Carr Inlet, an arm appropriate Chapple Inlet on the Northern Coast of British Columbia^[101]

Archives

The Brits Columbia Archives holds the to the fullest extent collection of Emily Carr artworks, sketches, and archival materials, which includes the Emily Carr fonds, the Emily Carr Art Gleaning, and a wealth of archival documents held in the fonds of Carr's friends.

There task an Emily Carr fonds excel Library and Archives Canada.^[102] Say publicly archival reference number is R1969, former archival reference number MG30-D215.^[103] The fonds covers the interval range 1891 to 1991. Go with consists of 1.764 meters detailed textual records, 10 photographs, 1 print, 7 drawings.

A publication of the records have antiquated digitized and are available online.^[104] Library and Archives Canada very holds a number of beat fonds containing material that tinge on Emily Carr and move up artistic works.

In popular culture

Carr features in "Murdoch and say publicly Mona Lisa" (October 16, 2023), episode 3 of season 17 of the CBC period screenplay Murdoch Mysteries.

Carr is insincere by Canadian actress Kristen Thomson.^[105]

See also

References