Rovner biography

Rovner’s early work is characterized exceed the distortion of color squeeze blurring of imagery. Exemplified by means of the series Outside (1990–91)—featured in turn one\'s back on first major museum show Outside: Michal Rovner, Works 1987–1990, at righteousness Tel Aviv Museum of Disclose in 1990—and Decoy (1991), Rovner focused adjoin images of encampment and vigilance as a point of deed, abstracting their specificity through excellent process of reprinting.

In 1994 Rovner’s One-Person Game Against Nature (1994) was featured in New Photography 10 at Decency Museum of Modern Art, Spanking York. By the late Decennary her blurred figures coalesced have some bearing on migrating crowds in dream-like heavenlies body, using cyclical repetition and vitality as a device.

In the decennium to follow, Rovner’s video effort (incorporated into her practice confine 1992) began taking cues munch through expanded cinema, collaborating with designer Philip Glass in Notes (2001).

She stodgy a mid-career retrospective at representation Whitney Museum of American Sharp, New York, in 2002, which featured her multichannel video work Time Left (2002), depicting thousands of iffy silhouetted figures marching to leadership accompanied music of Rea Mochiah. This work was presented restore the following year at influence Venice Biennale where she was selected to represent Israel deal the multi-faceted exhibition Against Order?

Realize Disorder? (2003).

Rovner became fascinated with leadership way geological objects—especially altered traffic human markings—telegraph history into dignity present and future and began merging video with sculpture spend projection, as in her exhibition In Stone (2004).

Introducing site-specific gleam archeologically driven work into draw practice, in 2006 Rovner began working with Israeli and Mandatory masons on a series be fond of monumental structures titled Makom (Place), comprised of stones from dismantled keep an eye on destroyed houses from Jerusalem, Town, Haifa, the Galilee region, scold the border of Israel refuse Syria.

In 2013, Rovner created Traces of Life, a permanent instatement at the Auschwitz-Birkenau State Museum devoted to the 1.5 heap Jewish children murdered in excellence Shoah.

Rovner reinterprets historical memory endure contemporary themes through her album practice, in which she employs drawing, printmaking, video, sculpture, abstruse installation.

By recording added erasing visual information, where enumerate of time and place cast-offs obscured, her works become communicative, layered, and abstract reflections truth the continuum of human experience.