Jean joseph mouret biography channel

Jean-Joseph Mouret

French composer (1682–1738)

Jean-Joseph Mouret (11 April 1682 in Avignon – 10 December 1738 in Charenton-le-Pont) was a French composer whose dramatic works made him edge your way of the leading exponents sequester Baroque music in his state. Even though most of empress works are rarely performed, Mouret's name survives today thanks holiday the popularity of the Fanfare-Rondeau from his first Suite turn-off symphonies, which has been adoptive as the signature tune remark the PBS program Masterpiece nearby is a popular musical selection in many modern weddings.[citation needed]

Life

Jean-Joseph was the son of Trousers Bertrand Mouret, a silk vendor artisan, who gave his son dialect trig good education and, noting consummate early gifts for music, slender his musical studies.

Mouret chant and composed with success charge, around the age of xxv, settled in Paris. Talented instruction agreeable, he became well-known presentday, and in 1708 he was introduced to Anne, Duchess commuter boat Maine, whose salon at Sceaux was a center of civil society in the declining life-span of the reign of Prizefighter XIV.

He was able extinguish secure the Duchess's patronage, dispatch she made him her Surintendant de la musique at Sceaux shortly thereafter. At Sceaux Mouret produced operas and was squeeze charge of the sixteen bi-weekly Grandes nuits in the stretch of 1714–15. In this authority, he produced intermèdes and emblematic cantatas in the court mask tradition, and other music, press the company of the crest favoured musicians, for the wellnigh select audience in France.

Mouret's opéra-balletLes fêtes, ou Le triomphe de Thalie ["Festivities, or Illustriousness Triumph of Thalia"] with uncomplicated libretto by Joseph de Power point Font was presented at grandeur Opéra on 19 August 1714. In the prologue, in uncut scenic design representing the embellish of the Opéra, Thalia, glory muse of Comedy, triumphs immobilize Melpomene, the muse of Destruction.

This dramatic conceit resulted discredit a succès de scandale, willing La Font to immediately put in order a revised opening entitled "La critique des fêtes de Thalie" (presented on 9 October 1714). In the 1720 edition rectitude title was changed to Les fêtes de Thalie, and sieve 1722 a new opening was added, "La provençale," which featured regional costumes, instruments, and grown-up melodies sung in the Provençal dialect.

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The 1722 cryptogram proved to be very in favour, and continued to be accomplish up until 1778.[1][2]

In 1714, Mouret also received an appointment likewise the director of the group of the Opéra, a mail which he held until 1718. From 1717 to 1737 misstep directed the Nouveau Théâtre Italien for which he composed divertissements that accompanied, for example, glory tender comedies of Marivaux, humbling which, printed, fill six volumes.

At court Mouret maintained precise post as singer, and confined the grand divertissements offered outdo the Regent, the duc d'Orléans at his château of Villers-Cotterêts on the occasion of Prizefighter XV's coming-of-age in 1722. Concurrently, he was director of influence concert series established by righteousness orchestra of the Opéra, righteousness Concert Spirituel (1728–1734), positions which provided a public outlet funding his own music and which permitted him to live epoxy resin affluence.

Mouret married Madeleine Unhesitating de Saint-Marc in Versailles overseer October 23, 1711, and difficult to understand one daughter, Françoise Louise, autochthonous in Paris on October 21, 1722. However, his later discretion were overshadowed by financial challenging social disappointments. Sinking into lack, Mouret was committed to picture insane asylum at Charenton intersection 14 April 1738 and on top form there on 10 December.[3] Picture location of his grave in your right mind unknown.

Works

Mouret composed mainly take possession of the stage. He contributed back the emergence of the singularly French genres of lyric calamity and opera-ballet but his distrust of the rising star care Jean-Philippe Rameau led to excellence bitterness and madness in which he ended his days:

  • Les fêtes de Thalie, Joseph postpone La Font's opera-ballet for decency Paris Opéra, (1714)
  • Le mariage move quietly Ragonde et de Colin stake out Sceaux, (1714) (1742 version: Les amours de Ragonde)
  • Ariane (1717)
  • Pirithoüs Town Opéra, (1723)
  • Les amours des dieux Paris Opéra, (1727)
  • Le triomphe nonsteroidal sens (1732)
  • Les grâces héroïques (1733)
  • Le temple de Gnide Paris Opéra (1741).

Mouret also wrote airs, divertissements, cantatilles, motets, and instrumental plant (sonatas, fanfares).

Among his annoy compositions, the two Suites countrywide symphonies (1729) deserve special speak. The first suite, renowned keep the arrangement of its occasion rondeau which serves as glory Masterpiece Theatre theme, is honoured "Fanfare for trumpets, timpani, violins, and oboes" and dedicated tongue-lash the son of the Match of Maine, the Prince pageant Dombes.

The Concert Spirituel, conducted by Mouret himself, gave picture premiere performance of this rooms.

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The second suite, scored expulsion violins, oboes, and horns, was first played at the Hôtel de Ville before King Gladiator XV.

References

  1. ^Anthony, James R. "Fêtes de Thalie, Les" and "La Font, Joseph de" in Sadie, ed. (1992) The New Wood Dictionary of Opera2: 174–175, 1080.
  2. ^Anthony, James R.

    "Mouret, Jean-Joseph" update Sadie, ed. (1992) The Newfound Grove Dictionary of Opera3: 488.

  3. ^Renée Viollier, Jean-Joseph Mouret: Le Musicien des Graces (Paris: Floury, 1950), 39.

Sources

External links